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“Babygirl” Red Carpet - The 81st Venice International Film Festival

Photo: Vittorio Zunino Celotto/Getty Images

It is once again film festival season at home and abroad. The Venice International Film Festival started last week, and Telluride got chugging along in Colorado shortly thereafter. Soon TIFF comes for the 6. But we’re actually here to focus on performance art : the standing ovations after a movie premieres at an international film festival. People be clappin’, and reporters be trackin’ said clappin’. And as with Cannes last year, we are averaging all the standing ovation reportage, and condensing it into one handy-dandy list. Unless otherwise noted, our timing of each film’s standing ovation is an average of three trades: Variety (the eastern European judge of applause if there ever was one), The Hollywood Reporter, and Deadline (who is most generous with their seconds counting).

Obviously these ovations are deliriously important. If art can be objectively measured, and we all agree it can, then the movies that get the most claps are the most good. And that inherent goodness will prove out come awards season and in the box office. Just look at Horizon: an American Saga which was recorded as receiving as long as an 11-minute standing ovation, and went on to …bomb at the box office? Okay, maybe this is a silly list, which could only come in handy at some exceedingly hardcore movie trivia contest. Regardless, here are the films of Venice, listed from shortest to longest post-screening ovation.

Tim Burton’s return to Winter River, CT wasn’t in competition at Venice, but it did kick off the festival in grand fashion. However, Beetlejuice Beetlejuice had the shortest standing ovation reported. Too commercial for the Lido?

Pitt and Clooney coasted on their buddy vibes at the Venice premiere of Wolfs. According to Variety, the pair danced in their seats to Sade during the 4-ish minute ovation. Variety also suggests the film’s O was cut short due to Wolfs starting 30 minutes late. Gotta keep turning over these seats!

Like Wolfs, the applause at Babygirl may have been curtailed by the objects of said applause leaving the building. Per Deadline, “The woo-hooing only stopped” when star Nicole Kidman and director Halina Reijn were escorted out of the building. The celebration of Harris Dickerson kept going long into the night, however, what with the private party reportedly held in his honor.

So far we’ve only been able to find Variety’s record of Baby Invasion’s standing ovation. Is that because the film is an overloaded provocation that would suit a shorter runtime? Maybe, baby. Or maybe not. “Whatever it is we witnessed, the crowd seemed to lap it up,” wrote Variety.

The Order stars Jude Law as a FBI agent infiltrating a white supremacist group known as The Order. It’s based on the real case that ended in a standoff, and with leader Bob Matthews (played by Nicholas Hoult) dead. Audiences loved the film, going for 7-9 minutes, depending on which trade you trust.

Vulture’s Alison Willmore found Angelina Jolie’s performance less-than-operatic, but the Venice crowd seemed to disagree. Jolie received nearly 9 minutes of adulation, before hopping on a plane to Telluride. Venice scheduled the film festival so that exes Jolie and Pitt wouldn’t even be in the same hemisphere on the same day.

The only record we have of I’m Still Here’s standing ovation is from Deadline, who counted 10 minutes and 20 seconds of applause for Walter Salles’ political drama.

Brady Corbet’s The Brutalist had a standing ovation almost as long as its 15-minute intermission. The trades counted between 12 and 13 minutes of applause for the sprawling story. The film covers 33 years and is 215 minutes long — 5 of which are spent on “Depressing handjobs.

The new O to beat is for Pedro Almodóvar’s The Room Next Door. Starring Tilda Swinton and Julianne Moore, the film is about friends who reconnect while one has terminal cancer. Deadline clocked the applause at 18 minutes and 36 seconds, while THR and Variety say it was just 17 min flat. Some of that commotion had better have been for Almodóvar’s pink suit.

This post has been updated.

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