Islam, Migration, and Storytelling | HowlRound Theatre Commons
[ad_1] When Islam was first professed on the Arabian continent nearly 1,500 years ago, it drew ire. The staunchly monotheistic belief system threatened enormous social,
I Designed a Series of Workshops to take back my body
[ad_1] Being a Muslim and an artist are two things that go hand in hand for me. Becoming an artist has been a purposeful, intentional
The Moor I Want to Love
[ad_1] Othello breaks my heart. Every. Single. Time. Unlike many—scholars, directors, actors—who have given up on the Moor of Venice, I find myself returning to
The Beauty of Being Lost Is Like Honey on Watermelon
[ad_1] Thereafter, I got a job marketing theatre to the East African community. I thought, “I already spend so much time in the East African
Nubian Theatre | HowlRound Theatre Commons
[ad_1] Nabra Nelson: Salam Alaikum, welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide.
Ibn Daniyal and Puppetry | HowlRound Theatre Commons
[ad_1] Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide.
A Designer-Director-Dramaturg Dalliance | HowlRound Theatre Commons
[ad_1] Over four days we created a concept that empowered inclusivity and unbounded creativity. It also allowed us, for a short period of time, to
Ottoman Theatre | HowlRound Theatre Commons
[ad_1] Marina: The third and final form of traditional theatre that we’ll talk about today is Meddah, which translates simply to “storyteller,” and it is
Ten Years of The Gun Show
[ad_1] Nate Cohen: It’s been ten years since you wrote The Gun Show. What led you to start writing it when you did? Ellen Lewis:
The Role of Theatre Directors in Times of Crisis
[ad_1] This panel from the 2024 National Institute for Directing & Ensemble Creation Professional Peer Exchange, moderated by Liz-Foster Shaner, will include stories, examples, and