RESISTANCE NOW! Republic of Love
[ad_1] Nationalist parties are on the rise across Europe, from the German AfD to the French Rassemblement National, from Hungary
Preserving and Transmitting American Ensemble-Based Theatre Part One: Participant Perspectives
[ad_1] Jeffrey Mosser: Welcome to another episode of the From the Ground Up podcast, produced for HowlRound Theatre Commons, a
Panels from the PRELUDE Festival 2024
[ad_1] The 21st annual PRELUDE Festival, curated by Jess Barbagallo and John Hoobyar in alignment with “Not a Luxury,” a
1st Latinidades Arts Symposium | HowlRound Theatre Commons
[ad_1] This Symposium is a part of Cara Mia Theatre’s 5th Annual Latinidades Theatre Festival. Designed to support arts organizations
The Harm of Teaching Commedia dell’arte to Contemporary Players
[ad_1] Observations on Acting with Stereotypes In my classroom, I found that my students played with less commitment when stereotypes
How to Get Started Translating a Play
[ad_1] While the persistence and curiosity of a researcher is necessary for this step, serendipity also plays a part in
Working in Circles from Translator to Kulturmittler
[ad_1] Translators Are Part of the Team Late last year, a literary theatre agency I have worked with a number
Why Don’t We Listen to Others? A Case for Theatrical Translation
[ad_1] Look at the credits for any Anglophone production of the musical juggernaut Les Misérables, and you may notice something
Troubling the Categories of “Adaptation” and “Translation” in Performance
[ad_1] Jean: Do you take roughly the same approach you’ve just described for each novel you’ve adapted for the stage?
Translator, Traitor, Truth-Teller | HowlRound Theatre Commons
[ad_1] The playwright, Leslie Kaplan, was gracious enough not only to invite me to meet her in her home tucked